[extreme environments]
Sara Eliza Johnson
The Crooked Forest
By the time I want to eat the strawberries, they are always clouded
with mold, malignant little hearts. I eat them anyway. I drink the
sour milk. I’m so hungry I can barely hear anyone calling my
name, though I know no one is. Love is the lie I tell myself to
survive. Every night now I dream of the crooked forest. I find an
ordinary deer, plunge my hand into its cavity and eat until I’m sick.
My spine bends back like all the trees there do, pointing in one
direction, towards something luminously dark, like a star dipped in
tar. Are they running toward it, or away? Inside the dream, I think,
Who cares what it is? In the morning I’m desperate to know. I can
still taste blood on my tongue, more beautiful than water, with its
arsenic, chromium, radionuclides. It makes me want a cigarette. It
makes me want to run into the moonless night, with its crystalline
wind of bees, and find it. I don’t know if you understand what I
mean. There’s only so much heartbreak a person can take before
their language becomes untranslatable.
Pastoral
I remember you pressed your finger to my tongue, which shook, as
if the anther of a field flower. How could I forget that taste of
pollen-dust, its hint of metal, like blood if it were not cursed, not
starless and half-dead like me? Only the broken open their mouths
this way. You know this better than anyone. And are there even
fields anymore? Are there flowers, with names like columbine and
oleander and larkspur? I used to love the night-blooming ones. I
used to know my own name. As a child I sang in a choir, and we
swayed together like the flowers of the field. In my memory of this
place, I was so tired. I rested my head on your stomach and you
buried your hand in my hair. How sad I must have seemed, how
sick with my own venom, swollen with a viscous fever, like milky
sap bubbling in a stem. I tried to hide my moan of desire, though I
hate the word desire, which has lost all meaning, as I have lost
everything. My tongue whimpered in your hand. You wrang its
blood into a pail. The sky above the field foamed black, like a
mouth full of poison, and descended in a flood.
Sara Eliza Johnson is the author of Vapor (Milkweed 2022) and Bone Map (Milkweed 2014), which was a winner of the 2013 National Poetry Series. Her poetry and nonfiction has appeared in the Virginia Quarterly Review, Colorado Review, New England Review, Boston Review, the Academy of American Poets Poem-A-Day program, Bright Wall/Dark Room, AGNI, Alaska Quarterly Review, and The Adroit Journal. She is the recipient of a National Endowment for the Arts Fellowship, and residencies from the Virginia Center for the Creative Arts, the Fine Arts Work Center in Provincetown, and the Montalvo Arts Center, among other honors. She teaches at the University of Alaska, Fairbanks.