[extreme environments]
Carl Phillips
I’ll Miss Most What I Loved Best
In spring especially, when
the pear tree’s petals, backlit, as they’re blown
through the air, can make tenderness
for once seem an easy thing: just particularity
made visible— though faint,
the colors… Last night,
I was running alone through a forest, lost. The rustle
of already-trampled leaves versus that of the leaves
that were just then falling and, at the same time,
singing, each one
the same song, but each
in its own private pitch. To have mis-
understood myself has changed everything,
they sang to the earth that, in turn,
received them
in a silence through which
the leaves, impossibly, could hear
nevertheless an answering song, as if the earth
were singing: Keep close, forever. Until each
had sworn to it, and that it must be real—
that they’d made
nothing up. The way what
we remember of childhood— our own, anyway—
becomes our childhood: splayed irises, like good
intentions torn open; the sting of the face,
the hand rising to strike again; the meadow
at night,
rippling darkly, like water. They say the moon
is moving slowly away from us. Desolation,
lonely— them’s fancy words to be
tossing around, boy, on such a soft, dark night.
Emily Barton Altman is the author of two chapbooks, Bathymetry (Present Tense Pamphlets, 2016), and Alice Hangs Her Map (dancing girl press, 2019). Recent poems are forthcoming or appear in Second Factory, Bone Bouquet, Tagvverk, and elsewhere. She is a recipient of a Poets & Writers Amy Award and received her MFA from New York University. She is currently a PhD Candidate in English and Creative Writing at the University of Denver.